I wish I could say that one morning I woke up and decided, gee I’ve never written a sonata before, let’s go and write one… In reality, my need to brush up on my harmony theory in order to help out a student is what got the creative juices flowing.
These entries are written for musicians who have faced injury. Injury not only strikes our bodies but our identities too. By sharing my story I hope that other hurt musicians will feel part of an increasingly vocal community and will be motivated to seek the tools necessary to heal and flourish again at their craft. I believe there is a light at the end of the tunnel for every musician facing injury. Yet there is no magic wand. It’s up to you to be the expert in your own recovery process.
Disclaimer: Any information here regarding the avoidance and treatment of injury is for educational purposes only. All injuries should be assessed and treated by a qualified medical professional before attempting to solve the problem at the keyboard.
This story is an eight year journey chronicling my personal experience as a pianist with severe injury in my hands. It begins with my life as a confident professional pianist who had the rug pulled out from under him via a debilitating injury. I suffered for many years thinking that I’d never play again, but through perseverance and the proper guidance I rebuilt my technique and am able to end the story on a positive note as I now play music I never thought possible. It’s much easier to write this from the other side of my journey. These are the words that I needed to hear when in the depths of despair and uncertainty. Perhaps you need to hear them too.
If you are an injured musician of any kind may my story be a source of hope and inspiration. I encourage dialogue about this often taboo topic so please share your stories in the comments section below.
You know that feeling when you’re practicing a piece of music and no matter how many times you go over a passage it never seems to improve? I can hear you nodding.
Welcome to the third instalment of this series. Here we are demystifying, decoding, and deconstructing just what those crazy-looking musical scores mean. If you’ve always wondered how musicians can make sense of all those hieroglyphics then you’ve come to the right place. If you’re just coming aboard then please check out the first two articles: Movement 1 and Movement 2.