Welcome to the third instalment of this series. Here we are demystifying, decoding, and deconstructing just what those crazy-looking musical scores mean. If you’ve always wondered how musicians can make sense of all those hieroglyphics then you’ve come to the right place. If you’re just coming aboard then please check out the first two articles: Movement 1 and Movement 2.
What is ‘Ear Training’ and why is it important? As musicians we spend a lot of time practicing our instruments, learning how to read, developing effective technique, understanding theory, etc. But how is it that some musicians are able to hear a melody, be it a simple folk song or a complex jazz riff, and then can play it back on their instruments without reading any music?