The music of Dimitry Kabalevsky has had a big influence on me both as a student and teacher. The first work of his I learned to play was The Clown, a comical and indecisive caricature of a piece that every beginner pianist will recognize. I fondly remember learning his 24th prelude from op. 38 in the first year of my undergrad. This work barrels ahead like an industrial tempest but subsides in the closing section as the sun peaks its head out. Among my other favourite Russian composers such as Rachmaninoff, Shostakovich and Scriabin, Kabalevksy has influenced me greatly as a composer and it’s no surprise that soon after starting this funny waltz it seemed only fair to dedicate it to him.
I’ve been working my way through the RCM Harmony books. Much of the information is review but some of it is also new; I never had this amount of time to study theory in depth when I was a busy undergrad many years ago. After all this theory I thought why not try and apply it? So I sketched up this little minuet and was pleased with myself for composing something that at least resembles one of the many minuets I’ve heard or played throughout my life written by those old dead white guys.